Reuters – Trainee Journalist (Arabic Speaking)

reuters_logo

Location: London

Closing date: May 22nd

Reuters is seeking a final year student/recent graduate to join us a Trainee Journalist.

The trainee will take part in several weeks of intensive classroom training then  work on reporting teams in our regional newsrooms.

Qualifications

The successful candidate must have;

• A university degree in a relevant field such as International Relations, Economics, Law or Modern Languages

• Fluent spoken Arabic and proficient reading skills

• Relevant journalistic experience in the Middle East and/or Africa

• Proven aptitude in investigative reporting, data journalism and digital media

• Multimedia storytelling and production skills

• Experience with web design software

• Broad knowledge and understanding of global politics, finance and economics

• Masters level journalism qualification is desirable.

Salary – £27,000

APPLY NOW

Follow us on Twitter @Journograds and ‘like’ us on Facebook so you can stay up to date with job postings and reminders of application closing dates

Journo Course Costs Can Be ‘Huge Barrier’

Oli Rahman

Oliver Rahman – studying hard for media law

NCTJ trainee Oliver Rahman stresses the importance of formal training but questions the costs…

Ex Sun-Editor Kelvin Mackenzie expressed his views on journalism education in 2011 by saying: “I’d shut down all the journalism colleges today. If you want to be a print journalist you should go straight from school and join the local press.”

To some extent I agree. I’ve already written about how much I love local journalism, and the way it can be a brilliant training ground for budding reporters.

But the idea that formal journalism education is a waste of time has problems. Being taken on as a trainee directly after school with minimal qualifications, as Kelvin was, seems unlikely in today’s world.

I take his point about how colleges have become a great business model for semi-retired journalists, and in some cases are exploitative.

But the world is less forgiving of reporters in the wake of Leveson, and much more is expected of them.

As an editor you can’t just send a person with no understanding of media law or shorthand to do court reporting. You might end up on the wrong end of a defamation lawsuit.

Nor can you expect a high standard of news copy from someone without some formal training.

Mackenzie’s assumption that journalism education focuses too much on theory is something I disagree with, as my own experience of the NCTJ suggests that it is more practical than theoretical.

Education is never a bad thing, although affordability can be a huge barrier.

Less privileged kids stand little chance of breaking through; their parents might be unwilling to support them through endless stints of unpaid work experience, or perhaps they are unable to afford the training.

Take for example The Guardian’s masterclasses. A feature writing course costs £400, and an investigative journalism course £500.

It seems hard to justify these prices, and there’s no doubt that they would only be available to a privileged minority.

It would be brilliant if newspapers were still prepared to snaffle up the smart school leavers and train them up into premier news hounds.

Getting onto a traineeship with the BBC or a great local title is what most people would do if they had the opportunity, but with the dramatic increase in the number of hungry university graduates, this can never be guaranteed.

Mackenzie would be right if we lived in a perfect world.

What do you think? How important is formal journalism training, and are the costs always justified? Tweet us your views @Journograds or leave a comment below

The ‘Deep Breath’ Approach To Placements

John Fernandez

Not for the faint-hearted – John Fernandez covers the Guernsey Boxing Day swim for the BBC

Award winning student journo John Fernandez has interned at the likes of the BBC, Kerrang! and Zoo magazine. What are his top tips for standing out?

When you’re on work experience, it’s likely that one question will pass through your mind: “Do I be the busy-body who wants to be everyone’s best mate, or the understated quiet one who badgers along with their tasks dependably?”

So, on your first day, it’s likely that you will try tackling things in one of the following two ways:

Either you charge straight in asking every member of the team you work with whether you can help, or, instead, you sit nervously waiting for your supervisor to give you a task which you take on with every semblance of diligence and finish at the end of the day.

If you are the former, you end up with too much to do, so you may rush your tasks and your work looks a bit slap-dash. If you are the latter, you might not leave any lasting impressions.

Instead, my advice is that you take the deep breath approach. Sit down, take in your surroundings, gather yourself enough tasks to keep you busy at least for the morning and then go about them ensuring that they are done with the utmost accuracy.

Don’t be afraid to marvel them with the mundane as well – show that you can be a dependable photocopier, a hero of the hot beverage and a trailblazing transcriber.

It’s not necessary to try and be everyone in the office’s best mate but keep a watchful eye out and if somebody says something you have an interest in (for blokes football is always a winner) then chip in.

As mentioned, don’t get engrossed in conversation, but let people know you are there and you’re not just another Joe Average.

Another important thing to do is foster relationships. During the work experience, ensure you keep up appearances and are personable enough to keep contact after the placement ends.

Then when you leave if nothing has been said about following the placement up, e-mail someone at the company you got on with and let them know you’re willing to come back and work for free some more.

It shows an eagerness to chip in, a willingness to sacrifice your own time and a real interest in the organisation.

And who knows, if they like you again… well, the sky’s the limit.

Do you agree with John’s advice? Or do you have some tips of your own? Feel free to post your comments below, or tweet us @Journograds

Local Journalism ‘Great Training Ground’

Dddd

Oliver Rahman brushes up on karaoke skills during his year in Japan

Graduate Oliver Rahman is currently training at News Associates, one of the UK’s biggest NCTJ schools. He tells us what he makes of the course so far, and describes the merits of regional journalism…

I studied Japanese and Italian in Manchester, and spent much of my time in Japan blogging, writing for a local magazine and perfecting my karaoke talents.

My summer in Italy was spent smoking and learning new Italian swear words. I was in Perugia, where the Amanda Knox trial (Foxy Knoxy, as she was known) was taking place.

For any wannabe journo, the sight of a real press mob is pretty damn exciting. Particularly if it involves Italian TV reporters, who are always entertainingly flamboyant.

After graduation I organized a stint at my local paper, the Wells Journal. I loved it. Stories about lead thefts from church roofs or milk fixing scandals are a lot of fun.

Some trainees would hesitate to admit that they love local journalism, but I think that the regional press can be a great training ground.

After a few months working in London for a TV company, I decided to pack it in and just get onto an NCTJ with News Associates in Wimbledon.

I’d been to one of their open days in Manchester two years ago and it had left a lasting impression. It consisted of a workshop simulating a live news room.

You get given basic facts (a fictional explosion in Birmingham), and as press releases/news clips with new facts keep appearing, you have to rejig your copy and try to fit in all the new info before the deadline.

Wannabe journos get a chance to interview sources by phone, and at the end file their copy like pros. Really good fun, if a bit stressful. And as it’s free, I’d definitely recommend it.

News Associates’ entrance exam is divided into a general knowledge section, a writing test (something to do with exploding hotdogs), and a few basic data questions.

Then there was an interview in which Richard Parsons, course director, sat me down and asked me a few questions about my portfolio. I remember little about it except for some serious mustache stroking that gave away his status as a true newsroom veteran.

As well as the formal classes in media law, shorthand and reporting, part of the course involves a placement.

I’m at the Ealing Times with another trainee, so we’ll be covering all those important local issues: firefighting squirrels, water skiiing budgies and maybe even some real news.

Are you currently on an NCTJ course? If so, how has it helped you? Or are you thinking about doing one? Feel free to post your comments or questions below.

Advice From A Graduate Entrepreneur

Rachael Oku, founder of Creative-Bloc, sheds light on her inspiration for setting up a business after graduating and explains how the company helps freelance writers…

I’m a journo grad of sorts: I studied fashion promotion at university and specialised in journalism, then got sidetracked. Before I graduated I was offered a job in PR and thinking about the financial security, I accepted it. After all, when you get offered a decent job you take it, right?

In the years since I’ve realised the importance of saying no, and as a freelance professional this is especially true. Not everything is as good or as simple as it might initially sound.

A small part of me wishes I’d stuck to my convictions in pursuit of a so called ‘dream job’, however a larger part of me realises that I learned more by going the long way round, and now I’m certain journalism, and writing in general, is something I’m meant to pursue.

Working as a freelance writer and editor for the past three years, I’ve searched high and low for an adequate support network combined with a job site, and haven’t found much out there worth getting excited about.

As I’m sure you know all too well, when starting out as a freelance journalist opportunities are few and far between and it can seem like everything and everyone is against you.

Of course it isn’t like that in reality, but without guidance and contacts in your area of expertise, forging a career and recognising the good opportunities from the bad is challenging.

Earlier this year I set about creating a platform that combined the resources I sought. I knew that the business I wanted to set up couldn’t just be about making money, it had to stand for something and hopefully help a few people make contacts and find their feet along the way.

My initial inspiration was to create a place where my freelance writer friends and I could find work and keep 100% of the commission. The project has evolved somewhat since then, but maintains the same ideals.

Launched in July 2012, Creative-Bloc is a social enterprise that functions as a network and online membership club for freelance writers and editors. Sharing advice, industry tips, news and global job opportunities, Creative-Bloc offers writers the commercial advice and support necessary to succeed in a competitive freelance environment.

Aimed at two primary audiences: writers can be working in any industry; while employers vary from print and online magazines to publishers, charities and niche brands.

Once registered members, writers can create a profile (which will be indexed in our directory), interact with fellow writers and employers, access all editorial content and browse the job listings. Writers can also promote their projects (such as a new book release) through the blog and contribute articles with the aim of sharing their experiences with other writers.

As the editor, I’m eager to hear about writers’ experiences and what they wish someone had told them, or perhaps, hadn’t. The primary objective of the community is to cultivate a space where writers and journalists, often isolated and working alone, can log in and feel a bit of support and in a sense, camaraderie.

I always knew that I wanted to run my own business and do my own thing, but I didn’t imagine I’d be doing it less than four years after graduating, let alone in a recession. As naïve as it sounds, and probably is, I believe that if you have a good idea and the conviction to give it a shot, what’s the worst that can happen?

In my case the timing felt right and I was growing increasingly frustrated hearing horror stories about dead-end websites and freelancers being exploited. I realised that I might be in a position to offer some advice, or at least create somewhere for the wise to offer encouragement to those who need it.

In a commitment to nurture young talent coming into the freelance writing industry, Creative-Bloc offers all recent graduates a year’s free membership, and students free membership for the duration of their course.

If you don’t fall into either of the above categories email Rachael with ‘Journo Grads’ as the subject and free membership will be arranged.

Rachael Oku is an editor, editorial consultant and freelance copywriter living in London. She founded Creative-Bloc, a social enterprise for freelance writers, in 2012

Making The Most Of Your Time At Uni

Film and travel writer Amy Labbadia recalls her time at university and explains how aspiring journalists should take advantage of the experience…

Going to university can be one of the most important, rewarding, terrifying and expensive decisions you ever make. That’s why it’s important to make the most of your time there, to make those three years count.

Of course studying hard is the staple to success and should never be underestimated or overlooked, but a healthy social life should not be discounted either.

Although the stereotype of students partying and sleeping every day is somewhat accurate (in certain circles anyway), it does have its merits.

Without socialising and mingling, I would never have landed several journalism opportunities, which only became available to me by meeting other local journalists and writers.

My first interview with a well known novelist came about because I was “a friend of a friend.” Sometimes a stroke of luck is all you need – being in the right place at the right time – but often enough if you put yourself out there and make acquaintances, chances are they’ll eventually do you a favour.

So, that’s my first piece of practical advice: get out there. Make some friends. Secondly, write, and write well. You should aim to write every single day, whether it’s thirty thousand words or one. Doing this will keep you active, keen, and tone your writing muscle.

As you gain experience writing regularly, try and interact with your university’s student newspaper or magazine (most, if not all, have one) and see if they’ll publish one of your articles.

Not only is this a great start, but you’d be surprised at how many people read those student papers. A lot of universities host writing competitions – enter them! Even if you don’t win any, it’s still good experience for receiving and handling rejection.

Trust me, there will be a lot of that before you get your first break.

Thirdly, make use of your university’s resources; the library, the computers, and especially your lecturers and mentors.

They are a well of knowledge, and have years of experience in the industry. They’ll be able to advise and help you along the way, and put you in touch with other writers and journalists.

Since graduating, I’ve kept in touch with most of my lecturers and always go to them when I require advice; if you maintain a healthy relationship with them, they’ll always be there to lend you a helping hand. And, perhaps most importantly, they’ll offer you honesty.

It’s always nice to be told your writing is good, but it’s more important and crucial to be given constructive criticism – and that’s where your lecturers will be most useful.

Amy Labbadia is a freelance writer. She graduated from Anglia Ruskin University in Cambridge with a degree in Film and Writing and has since gone on to write for several travel and film websites. She also runs her own film blog, www.britishcinemaonline.com