talkSPORT – International Commentators

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Location: London

Closing date: None given

talkSPORT is the UK’s biggest national commercial sports radio station.

Owned by UTV Media (GB) who also own Sport magazine and 13 regional radio stations, it is the destination for sports fans everywhere, covering breaking news, transfer rumours, big name interviews and encouraging listeners to ring in and get their voices heard on all the important issues.

talkSPORT Live is talkSPORT’s international service, broadcasting Premier League matches and selected Capital One Cup and FA Cup matches in different languages.

Currently, we are looking for Arabic, Japanese, Malay, Portuguese (Brazilian), Vietnamese and Latin American commentators (freelance based).

To apply:

If you are a native speaker, with excellent knowledge of English Football, good presentation skills and flexible to work during the weekends, please send your cover letter and CV to:

oliver.zhengtalksport.co.uk and Nuria.Ruanotalksport.co.uk

Follow us on Twitter @Journograds and ‘like’ us on Facebook so you can stay up to date with job postings and reminders of application closing dates

Advice From A Graduate Entrepreneur

Rachael Oku, founder of Creative-Bloc, sheds light on her inspiration for setting up a business after graduating and explains how the company helps freelance writers…

I’m a journo grad of sorts: I studied fashion promotion at university and specialised in journalism, then got sidetracked. Before I graduated I was offered a job in PR and thinking about the financial security, I accepted it. After all, when you get offered a decent job you take it, right?

In the years since I’ve realised the importance of saying no, and as a freelance professional this is especially true. Not everything is as good or as simple as it might initially sound.

A small part of me wishes I’d stuck to my convictions in pursuit of a so called ‘dream job’, however a larger part of me realises that I learned more by going the long way round, and now I’m certain journalism, and writing in general, is something I’m meant to pursue.

Working as a freelance writer and editor for the past three years, I’ve searched high and low for an adequate support network combined with a job site, and haven’t found much out there worth getting excited about.

As I’m sure you know all too well, when starting out as a freelance journalist opportunities are few and far between and it can seem like everything and everyone is against you.

Of course it isn’t like that in reality, but without guidance and contacts in your area of expertise, forging a career and recognising the good opportunities from the bad is challenging.

Earlier this year I set about creating a platform that combined the resources I sought. I knew that the business I wanted to set up couldn’t just be about making money, it had to stand for something and hopefully help a few people make contacts and find their feet along the way.

My initial inspiration was to create a place where my freelance writer friends and I could find work and keep 100% of the commission. The project has evolved somewhat since then, but maintains the same ideals.

Launched in July 2012, Creative-Bloc is a social enterprise that functions as a network and online membership club for freelance writers and editors. Sharing advice, industry tips, news and global job opportunities, Creative-Bloc offers writers the commercial advice and support necessary to succeed in a competitive freelance environment.

Aimed at two primary audiences: writers can be working in any industry; while employers vary from print and online magazines to publishers, charities and niche brands.

Once registered members, writers can create a profile (which will be indexed in our directory), interact with fellow writers and employers, access all editorial content and browse the job listings. Writers can also promote their projects (such as a new book release) through the blog and contribute articles with the aim of sharing their experiences with other writers.

As the editor, I’m eager to hear about writers’ experiences and what they wish someone had told them, or perhaps, hadn’t. The primary objective of the community is to cultivate a space where writers and journalists, often isolated and working alone, can log in and feel a bit of support and in a sense, camaraderie.

I always knew that I wanted to run my own business and do my own thing, but I didn’t imagine I’d be doing it less than four years after graduating, let alone in a recession. As naïve as it sounds, and probably is, I believe that if you have a good idea and the conviction to give it a shot, what’s the worst that can happen?

In my case the timing felt right and I was growing increasingly frustrated hearing horror stories about dead-end websites and freelancers being exploited. I realised that I might be in a position to offer some advice, or at least create somewhere for the wise to offer encouragement to those who need it.

In a commitment to nurture young talent coming into the freelance writing industry, Creative-Bloc offers all recent graduates a year’s free membership, and students free membership for the duration of their course.

If you don’t fall into either of the above categories email Rachael with ‘Journo Grads’ as the subject and free membership will be arranged.

Rachael Oku is an editor, editorial consultant and freelance copywriter living in London. She founded Creative-Bloc, a social enterprise for freelance writers, in 2012

Now Comes The Hard Part: What To Do After Graduating

The joy of finishing uni can quickly be replaced by the stress of finding a job. Film and travel writer Amy Labbadia writes about how not to lose momentum once you’ve graduated…

I’ve found that there is a shockingly limited supply of knowledge and advice about what to do after leaving higher education available to students and graduates.

Although there are – quite literally – hundreds of websites out there promising practical advice, they soon prove themselves to be carbon copies of each other, advising graduates to just be persistent and work hard and, while that is good advice, it’s the kind that sort of goes without saying. Of course you’re going to persist and work hard, otherwise why would you have spent three years at university?

What I really wanted from these sorts of websites was the truth. How long will it take to land my first job? When can I expect to start making money from writing? And, perhaps most crucially, what happens when I get rejected?

Pretty swiftly after graduating, I realised I would need another branch of work to supplement my journalism. I began to do some copywriting, which was a great way to keep me writing every day, plus there’s always demand for copy and content. I also browsed the internet. A lot. I trawled through countless web pages – film websites, book reviewing sites, travel sites – in hopes of finding some freelance work. And I did.

The work is out there, you just have to look – and sometimes lower your expectations. You may not score a job with Empire or the Guardian right off the mark, but you should aspire to write for other publications regardless of this. Think of it as training, so that one day when Empire and the Guardian do come knocking you’ll be ready for them.

Whilst I have procured work since graduating, I have also learned to develop a thick skin to help with rejection. Sometimes you’ll get a rejection email, other times you’ll be met with complete silence. That’s okay. That’s the way it’s always been for writers, and it won’t ever change.

Don’t let this discourage you or make you doubt your worth as a writer. Equip the rejection and use it as armour. With every rejection you face, let it mould your defiance; pity these people because they’re missing out on your talent.

There is no set path to becoming a successful journalist, no rule book or magic tricks. It just takes time, dedication, and luck. But university can be advantageous if you make acquaintances, make use of its resources – and write.

Amy Labbadia is a freelance writer. She graduated from Anglia Ruskin University in Cambridge with a degree in Film and Writing and has since gone on to write for several travel and film websites. She also runs her own film blog www.britishcinemaonline.com